
label.recordLabel
Please note, many Chrysalis issues also carried an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Chrysalis was part of the EMI Group. The roots of Chrysalis stretch back to a tiny flat in West London in 1967, when former university social secretaries, Chris Wright, then 22, and Terry Ellis, 23, linked their flair for managing and booking bands to form the Ellis Wright Agency. After a couple of experiences trying to release their bands records via other companies, Wright and Ellis began thinking in terms of their own label. In 1968, they signed a licensing deal with Island Records with the proviso that, should Wright and Ellis' acts log an agreed number of hits, then the pair would be awarded a label in their own right. The appropriate tally was logged within a year, and a new independent record company –Chrysalis, an amalgam of Wright's first name and Ellis' last name– was born. After buying out Terry Ellis in 1985, Chris Wright sold the Chrysalis Records label to EMI in 1991. EMI was bought out by Universal Music Group in 2012; in 2013, they sold the Parlophone Label Group, which includes Chrysalis, to Warner Music Group. In May 2016 the label was sold to a consortium, Blue Raincoat Music, which included co-founder Chris Wright as Non-Executive Chairman; Blue Raincoat relaunched Chrysalis with both catalogue artists and new signings in 2020 as part of a partnership with Reservoir Media Management at which time Ellis left the company. Since then, the standard Chrysalis logo is primarily used for new titles, and the "Catalogue"-byline logo () was introduced for the label's back catalogue reissues. Global distribution is via Secretly Distribution. _____________________________________ Vinyl label identification guide for American releases: 1970-1972: Chrysalis Productions imprint on Jethro Tull Reprise releases. 1972-1976: Standalone label distributed by Warner Bros.; lime green label with orange logo. 1977-1987: Fading blue label with white logo. Independent distribution from '77 to '83. DIstribution changed to CBS during the first week of 1983. 1987 to end of 1988: White label with large abstract butterfly logo; still under CBS distribution. 1989 to early 1990s: White label with large abstract butterfly logo; Capitol distribution. Labelcode: LC 1626. This label contains releases on multinational markets. Do NOT create imprints for different countries. Cover that information on new releases with the country field and with proper notes about the release (i.e. releasing company, labelcode, (P) & (C) info, BIEM, etc.).
Data provided by Discogscommon.pageOf

Blondie
Parallel Lines
UAH 2,702.24

Emeli Sandé
How Were We To Know
UAH 1,921.48

Jethro Tull
Live: Bursting Out
UAH 3,853.21

Pat Benatar
Precious Time
UAH 3,073.09

Bodega (7)
Our Brand Could Be Yr Life
UAH 1,921.48

Pat Benatar
Crimes Of Passion
UAH 1,921.48

Blondie
Against The Odds 1974 - 1982
UAH 8,454.51

Jethro Tull
50th Anniversary Collection
UAH 3,263.95

June Tabor Maddy Prior
Silly Sisters
UAH 2,299.37

Ben Harper
Bloodline Maintenance
UAH 913.34

Emeli Sandé
Let's Say For Instance
UAH 3,202.47

Big Country
Without The Aid Of A Safety Net (Live)
UAH 3,106.39

Armored Saint
Raising Fear
UAH 3,202.47

Armored Saint
Raising Fear
UAH 3,202.47

Armored Saint
March Of The Saint
UAH 3,202.47

Armored Saint
March Of The Saint
UAH 3,202.47

Armored Saint
March Of The Saint
UAH 3,202.47

Armored Saint
Delirious Nomad
UAH 3,202.47

Billy Idol
Don't Stop
UAH 2,098.26

De La Soul
3 Feet High And Rising
UAH 1,921.48

Simone Felice
All The Bright Coins
UAH 2,177.68

Blondie
Plastic Letters
UAH 1,844.14